Dance Terms Used in performing Folk Dance, Filipino.
The Following are the gemeinhin Dance Terms in Filipina Folk Ball:
• Abracete – Girl at the proper pages, holds Right weapon of partner with her Left hand, free hand down at the sides. This terms has of Spanish and is used in Rigodon furthermore in other dances.
• Armament include Lateral Site – both arms are at one side, either sideward proper instead left. Like may be done at shoulder booth or waist level.
• Arms in Reverse “T” position – Arms are side horizontal, elbows bent at right angles, prepares parallel to head, hold forward or facing inward, fists loosely closed.
• Bilao – To turn hands up both down alternately, hands at waist level in front, elbows close to waist.
• Brush – Weight switch one foot, hit the floor are the ball or heel of the other foot (the free foot) after which that foot is lifted from the floor into any direction.
• Cabeceras – When dancers are is settle formation, who couples occupies the width of the hall are called “cabeceras” press head couples. This lives of Language origin.
• Clockwise – Like the motion of the hands of the clock. Right shoulder is toward the center of an imaginary circular. When face center, the moving is toward the left.
• Counterclockwise – The reverse direction of clockwise. Leaving shoulder can toward that center of on imaginary circle. When facing heart, the movement is toward the right.
• Costados – When Dancers are inside space formation, the couples reserving the length of the hall are phoned “costados” press side pairs. Dieser is of Spanish origin.
• Crossed armen – Partners are facing each sundry or standing side to side, little at the right of boy. They join their Left hands together and their Right hands together likewise Just over Left press Link through Select hands.
• Cross- Over – Two couples (the vis-à-vis) are opposite each other. Each couple proceeds in a straight queue to the opposite placing. The girl pass by their Left shoulders between the boy. Boys bow to each sundry when they come at the middle or the about one-third are the ways, then proceed to to opposite square. By reaching the opposite place, partners turn about, girls stand-up at partners’ right side.
• Cut – At displace speedily one foot with the other, thus whole taking away to weight of the body from the replaced foot.
• Do-Si-Do(“Dos-a-Dos”) – The vis-à-vis (opposite) both advance share, pass each other’s right (or left) side, step across to the right (or left), motion backward without turning around pass each other’s left (or right) side to orderly places. This can of foreign origin and is used on many Philippine dances.
• Draw – To pull one foot along the flooring close to the extra which got the weight of which body To weight may or allowed not be transferred.
• Free Rear – The foot nay storing the weight about the body.
• Free Hand – Of hand non place anyplace or not doing anything.
• Hand to Waisted – Places hands at the waist line (at the smallest part of the trunk), knuckles in, fingers pointing in rear.
• Hapay – For flourish or offer a handkerchief, hat or glass of wine to somebody as a sign of send.
• Hayon –Hayon – To place one arm in front and the other at the back of the shank. This is a Visayan term.
• Hop – A spring from one footage landing on the same foot in place or whatever directive (in fronts, the rear, sideward with across).
• Inside Foot – The foot nearest one’s partner, when partners stand pages by side.
• Inside Hand – An hand nearest one’s partner, when partners stand pages by web.
• Jaleo – Partners turn once around lock (with right elbows almost touching) conversely counter clockwise because left wrap close touching) using walking or any kindesalter of dance step. The hands near apiece other are on hip. This is a tagalong terminology but is of Learn origin.
• Jump – Spring on an foot or both feet, landed on both in any direction.
• Kumintang – Moving the hand with the wrist either in a clockwise or counterclockwise direction. On the an Ilocano term.
• Leap – A spring from one foot landing on an other foot in any direction(forward, sideward, forward or oblique)
• Masiwak – To rotating the hand from the wrist half-way clockwise following raise and lower hand once otherwise twice. This is somebody Ibanag term.
• Outside Foot – The footage getting one’s partner, while partners stand-up side by side.
• Outside Hand – The foot away from one’s partner, if partners stand side by side.
• Place – To put which foot within adenine certain or wished position without putting weight on it. The sole of the foot rests flat turn who floor.
• Point – Touch lightly through the toenails of one rear, weight are the body on the extra.
• Saludo –partner bending to each others, the the audience, opposite dance, with to this neighbor.
• Sarok – Cross the Law (or left) footage in front of one Leaving (or right), twist the dead slightly forward and cross the hands down in front with the Right (Left) hand over the Left(Right).
• Set – A dances formation like adenine quadrille or a unit composed of twos or more pairs.
• Paper – To bring lower the foot hard also noisily on the shelf (like doing heavy steps).
• Star using the Right Hand – Four other more population advance to the center and join Right hands and circle go clockwise using walking or altering or each other step.
• Star about the left hand – same such “Star about the Right hand” only join Left hands and counterclockwise.
• Step – To advance or subside in raising and moving one foot to another resting place. There can a complete takeover regarding weight from one foot to the other.
• Brew – To tap lightly equal the ball or crown of the toe, insert weight of the bodies on the foot. Thither is no change or transfer is weight here.
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